Building on their intuitive basic interface, Ableton have added functions such as keyboard and MIDI triggers for audio clips as well as scene-based automation.
Version 3 saw the introduction of envelopes for manipulating audio data, with the facility to copy and paste envelopes between parameters speeding up the process of creating more complex automated tasks considerably. Much of the basic functionality was present in version 1 of Live, but Ableton have extensively developed its automation, audio processing and interface facilities through releases 2 and 3.
All of this can be done mixing most common file formats, sample rates and bit depths for maximum flexibility and speed. You can audition material from hard disk alongside running program sequences, drop in live overdubs that can be triggered back off disk in an instance (remember 'Frippertronics'?), change tempo while all this is going on, and a lot more. It allows musicians to combine almost any audio, be it on their hard disk or recorded from scratch, with anything else, virtually 'on the fly'. Live is essentially a hard disk-based audio player and recorder that takes advantage of today's fast processor speeds and disk access times, and combines them with some blistering time-stretch ('warping') algorithms to deliver what can only be described as an astonishingly fast, innovative and intuitive tool to compose, arrange and play music. The way they have gone about implementing this concept in fact incorporates a lot of the methods '90s dance music has developed since the arrival of the S900 and the Atari computer. In their company profile, Ableton co-founder Gerhard Behles describes the idea of Live as software that provides musicians with a 'studio as instrument' - a concept that many of us from the era of dance music are very familiar with. With version 4 offering a wealth of new features including MIDI sequencing, could it now replace traditional sequencers altogether? Of course, new sound-packs and devices also come included, and for the techies, Max for Live is still present - a kind of modular system that can be used to build your very own custom devices.As a creative, stable and above all fun way of combining audio loops in real time, Ableton's Live has proved an ideal counterpart to Rewire-compatible applications such as Cubase.
Note-chance and velocity-chance are also nice little tweaks, since they're able to inject more-human variations into what would otherwise feel like static patterns. More Fresh FunctionsĪn audio-based tempo-follower has been added that also functions in real-time, so you can do things like loop a pattern at a tempo based on the speed of a real, human drummer. While there aren't that many keyboards out there that are able to do this just yet, more are on the way, and since Ableton 11 is likely to be around for a few years yet, it's definitely worth having. MPE finally overcomes the limits that have existed since MIDI was first introduced, and is able to apply the range of expression to a single note that could only previously be applied to the entire MIDI track - including pitch-bend. One of the most essential new features has to be the added MPE, or MIDI Polyphonic Expression support. No new edition comes without some sweet new treats, and with version 11, we get a tidy stack, including Comping, where different takes can be recorded one after the other in a loop, so that the best take can be selected later. By blending the clip-based, real-time production loved by producers, musicians and DJs alike, with the smooth interfaces of Ableton's external hardware controllers and more-traditional sequencing techniques, this complete, ultra-contemporary music-making tool can be seamlessly applied to any genre and any performance and production style.
What is Ableton Live?įor anyone who has yet to encounter it, Ableton Live is one of the biggest DAW packages on the planet. As such, Ableton Live 11 Suite is so complete, that we probably won't need version 12 until around 2024. Looking at it this way, it's clear that, while many DAWs have maybe just a couple of years in them at the most, every edition of Ableton Live manages to stand the test of time. And that was the follow-up to version 9 which came out way back in 2013, and before that, version 8 emerged as far back as 2009. The last time we were treated to a fresh, full-sized edition of Ableton's Live Suite, it was 2018.
0 kommentar(er)
